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To be kept abreast of new shows, projects, workshops and special events please click here to sign up to our mailing list. You can also follow us on twitter, pinterest and facebook by click on the logos displayed at the top of the page.

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for tickets and more information:  www.space.org.uk

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The Burial 2 - 11 May 2013 PDF Print E-mail

StoneCrabs Theatre Company and the Albany

A new play by Bola Agbaje. Directed by Franko Figueiredo.

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Funmi has it all: a career, doting husband and a comfortable life in London… until the day her father dies and his two Nigerian wives arrive in a flurry of designer shoes and polished fingernails to clash over his burial arrangements. Born a Muslim, married a Christian and with new-found Buddhist beliefs, Funmi is forced to confront the past and her own faith to end the war over her father’s body.

This lively new satire by award-wining playwright Bola Agbaje explores how the conflicting traditions and religious tensions of one family reveal an unlikely respect for their Nigerian and British-Nigerian cultures.

Bola Agbaje won the Laurence Olivier Award for outstanding achievement in an affiliated theatre for her first play Gone Too Far, received an Evening Standard Award nomination for most promising playwright in 2008 and has seen her other plays, including Belong and Off The Endz, performed in major theatres across London. The playwright-turned-filmmaker has adapted the screenplay from her first play, Gone Too Far, with a release planned for autumn 2013.

audacious new satire” - Honour Baynes for Time Out

“Figueiredo’s textured production employs live music, dance, chanting and tableaux in a busy piece that nonetheless successfully entwines ideas of modern and traditional Nigerian culture.” - Honour Baynes for Time Out

"The Burial is a play which takes a rather serious and depressing subject matter and finds the comical aspects of its consequences. StoneCrabs Theatre Company's strong cast have the audience laughing out loud, as well as empathising with cultural and social differences" - David Richards for OneStopArts

"The vibrant production reinforces the West African influence through an assortment of singing, chanting, drumming and traditional costumes" - Natalie Gormally for Words of Colour

"True to form, Agbaje delivers an enjoyable and bold story on a sombre subject that is more hit than miss. Her astute writing and ear for dialogue are compelling. The Burial is a crowd pleaser – and there is nothing wrong with that" - Natalie Gormally for Words of Colour

"Soul-search and part family comedy, and is without a doubt an engaging adventure from start to finish." - everythingtheatre

"A well-produced and unique production by an acclaimed writer in a great space – you can’t go wrong!" - everythingtheatre

"Fantastic, polished design and an excellent script with a great balance of drama and comed" - everythingtheatre

The Burial was presented as a co-production The Albany Theatre from 2 - 11 May 2013

 
2012 projects PDF Print E-mail

A Mother’s Will, a brand new adaptation of Lorca's 'The House of Bernarda Alba’ @ Tara Theatre and The Asphalt Kiss, by Brazilian playwright Nelson Rodrigues @ New Diorama Theatre

If you missed The Asphalt Kiss you can click here watch it on canallondres.tv 

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 The Asphalt Kiss

 Obsession, Beauty, Murder and Betrayal, the perfect tabloid story

 presented in partnership with The New Diorama Theatre

As a pedestrian hit by a bus lies dying on a Rio street, a passer-by, Arandir, stops to cradle him in his arms. He kisses him on the lips – a last request from the dying man as a parting gesture of human solidarity.

The scene is witnessed by an unscrupulous reporter who turns the compassionate act into salacious front-page news. Tabloid journalism spins into overdrive, and Arandir’s life is torn apart as his friends and family slowly turn against him.

 www.newdiorama.com



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 A Mother’s Will

 An adaptation of Lorca’s The House of Bernarda Alba.

 Desire. Oppression. Determination.

 A terrific cast in a riveting production of Lorca's allegorical tragedy.

After Bernarda’s husband's death, she locks the doors and windows against the world and imposes a strict period of mourning on her daughters. Under the shadow of the church and the rules of society, the women conflict and spiral into emotional chaos. Are some people born mad or is it time and the surroundings they inhabit that affect them?

 Box Office 020 8333 4457         www.tara-arts.com

 
B I Press Award PDF Print E-mail

International Press Award for Theatre  & Focus Brazil Award for promotion of Brazilian Theatre in Britain 

We are pleased to announce that our Co-Artistic Director, Franko Figueiredo, has won an international media award for Theatre and the Focus Brazil award for the promotion of Brazilian Theatre in the UK.

Franko was recognised for his outstanding performance and contribution in the 14th Annual International Press Award, a major celebration of the South American nations cultural presence in Europe

The Brazilian Ambassador Roberto Jaguaribe opened the ceremony on August 6 at the Hilton Canary Wharf, where Franko Figueiredo was presented with his accolade. The ceremony was televised by the Brazilian satellite channel, Globo Internacional. 

Franko has also been nominated London Olympic Torchbearer  - you can watch news on the nomination onlin - just click here

Recently he was a special guest at the seminar, Brazilian Culture, Media and Community Abroad. On the occasion, he gave the lecture, 10 years of International Theatre in the UK Making Theatre in an unpredictable world, a short introduction of the book which is to be published in 2012.

 
Queen Pokou PDF Print E-mail

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Queen Pokou pops up at Mosaic, a two-day conference celebrating and debating BAME practice 28 & 29 June 2012

Click here to view Queen Pokou's trailer on you tube or vimeo

"Karlina Grace is an exceptional dancer but all three actors are accomplished movers and give especial charismatic electricity to the choreography of Leigh Tredger." - Aline Waites, remotegoat

"This, the first UK production of this story is directed by Franko Figueiredo, and he has succeeded in engaging the audience in the journey and experience of Abla Polou and her followers." - Aline Waites, remotegoat

"great anthropological theatre a la Peter Brook" - R Posner

"African Insights with imaginative dance, drama and music" - Susan Elkin, The Stage

click here for the full article

 Vox Africa visited us during rehearsals for a peak preview, to watch online just click here

A Black Madonna, A West African Hero or A Sovereign willing to do anything to reign?

   A new play written by Dean Atta (Winner of the Spirit of London Award) for StoneCrabs Theatre Company based on the life of Ashanti Princess Abla Pokou and her legendary journey to create a new nation.

                                 supported by arts council grants for the arts       royal victoria hall foundation logo          

 
Reviews PDF Print E-mail

Fast paced, tightly directed, beautifully choreographed...” - Dave Jordan - What’s On Stage (2009) on Hanjo & Hell Screen

A poignant and superbly paced piece of drama, in a setting so intimate that the audience is truly able to feel every cry of despair…” - Sam Smith - Observer (2008) on All Nudity Shall Be Punished

“…a powerful 75 minutes of theatre, which couldn’t have more contemporary relevance.” - David Simmons - The Stage (2007) on basic

This is unbridled lunacy a la Blood Wedding and just as thrilling.” - Siobhan Murphy - Metro (Critic's Choice 2006) on Our Lady of The Drowned

StoneCrabs does a magnificent job of introducing this undeservedly neglected play to English audiences for the first time” - Lucy Powell - Time Out (2006 Critic’s Choice) on Waltz # 6

An impeccable theatrical thriller” - Lucy Powell - Time Out (2005 Critic’s Choice) on Waltz # 6

The lyricism of the play’s language is mirrored in an opulent and highly moving production” - Jaspre Bark - What’s On Stage (2004) on Sotoba Komachi and The Damask Drum

Truly Heartfelt Theatre” - Corrie Mills - The List Magazine, Edinburgh (2003 - Hit List - Pick of The Festival) on Agua Viva

Thought-provoking theatre at its best” - Barbara Lewis - The Stage (2002) on StoneCrabs, A Domestic Story of Violence, Vitriol and Victory

 
 

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