“Charity Wars” a new play by Richard Cussands

"Charity Wars" a new play by Richard Cussands
Charity Wars brings a mix of impressionism and satire in a brilliantly inventive political farce that skillfully takes live theatre back to its creative roots.

"… thought-provoking and hilarious."
- Brendan Simms, Social Affairs Unit

"...pacy production."
- Robert Shore, Time Out

“basic” a new play by Lynn Greenwood

"basic" a new play by Lynn Greenwood
In prison, talk's cheap...relationships are dangerous.

"powerful"
- Emma John, Time Out

"firecracker performance..."
- Clair Allfree, Metro Newspaper

"A powerful 75 minutes of theatre, which couldn't have more contemporary relevance"
- David Simmons, The Stage

Senhora dos Afogados / Our Lady of the Drowned

"Senhora dos Afogados / Our Lady of the Drowned"
Misael Drummond's buried past and the fate of his daughter, Moema, will only be resolved by the weight of her forbidden desires, and the revenge she seeks.

"unbridled lunacy a la Blood Wedding and just as thrilling"'
- Siobhan Murphy, Metro (Critic's Choice)

"StoneCrabs does a magnificent job...A wonderful discovery."
- Lucy Powell, Time Out (Critic's Choice)

Waltz No 6

"Waltz No 6"
A young woman's detached and confusing memories are slowly revealed as the story throws the audience continually back and forth between innocence and disturbance. StoneCrabs is the first theatre company to bring the work of Brazilian playwright Nelson Rodrigues to the British Stage.

"Brazilian Magic"
- Lucy Powell, Time Out

"...full of wit, elegance and intelligence"
- Sam Marlowe, The Times

“Josephine; the Singer” based on Franz Kafka’s short story

"Josephine; the Singer" based on Franz Kafka's short story
Not so much for her singing but rather became of it Josephine can create an enhanced atmosphere, but when people refuse to exempt her from work despite the voice, Josephine becomes silent.

"Franz Kafka's short story of the singing mouse who gives meaning to the lives of her fellows has been transformed into an energetic comedy of backstage manners by this multinational and multilingual company."
- Nick Awde, The Stage