"Charity Wars" a new play by Richard Cussands
Charity Wars brings a mix of impressionism and satire in a brilliantly inventive political farce that skillfully takes live theatre back to its creative roots.

"… thought-provoking and hilarious."
- Brendan Simms, Social Affairs Unit

"...pacy production."
- Robert Shore, Time Out

"basic" a new play by Lynn Greenwood
In prison, talk's cheap...relationships are dangerous.

"powerful"
- Emma John, Time Out

"firecracker performance..."
- Clair Allfree, Metro Newspaper

"A powerful 75 minutes of theatre, which couldn't have more contemporary relevance"
- David Simmons, The Stage

"Senhora dos Afogados / Our Lady of the Drowned"
Misael Drummond's buried past and the fate of his daughter, Moema, will only be resolved by the weight of her forbidden desires, and the revenge she seeks.

"unbridled lunacy a la Blood Wedding and just as thrilling"'
- Siobhan Murphy, Metro (Critic's Choice)

"StoneCrabs does a magnificent job...A wonderful discovery."
- Lucy Powell, Time Out (Critic's Choice)

"Waltz No 6"
A young woman's detached and confusing memories are slowly revealed as the story throws the audience continually back and forth between innocence and disturbance. StoneCrabs is the first theatre company to bring the work of Brazilian playwright Nelson Rodrigues to the British Stage.

"Brazilian Magic"
- Lucy Powell, Time Out

"...full of wit, elegance and intelligence"
- Sam Marlowe, The Times

"Josephine; the Singer" based on Franz Kafka's short story
Not so much for her singing but rather became of it Josephine can create an enhanced atmosphere, but when people refuse to exempt her from work despite the voice, Josephine becomes silent.

"Franz Kafka's short story of the singing mouse who gives meaning to the lives of her fellows has been transformed into an energetic comedy of backstage manners by this multinational and multilingual company."
- Nick Awde, The Stage

"Miss Julie"
A young woman rebelling against her standing in 1880s society. When encountering her father's footman so begins a battle of sexual politics that will obliterate all barriers.

"...marry that with powerful performances and inspired direction and this fantastic tragedy is a viewing delight."
- Anneka Dove, The New York Times

"...StoneCrabs' production of Miss Julie goes refreshingly against the grain."
- Patrick Hayes, Culture Wars

Miss Julie was part of International Women's Festival 2006.

Carlo Goldoni’s Arlechinno: A Servant of two Masters"
A cunning servant gets a lucky break finding himself engaged in the service of two masters. But can the wily Arlechinno manoeuvre the confusion to pull it off?

"Franko Figueiredo's fast and energetic interpretation."
- Barbara Lewis, The Stage

"...a piece of true entertainment for a modern audience and it succeeds gloriously."
- Aline Waites, Ham and High

Yukio Mishima's "The Damask Drum"
The tragic story of a gardener who writes 101 letters to the woman who he loves. Unmoved by his words, she sets a challenge with heart-breaking consequences.

"Nigel Hook's setting is imaginative, the music is coolly eclectic, and Lu Firth's costumes are stunning."
- Madeleine North, Time Out

"StoneCrabs director Franko Figueiredo tosses aside comfort for a double-bill of finesse"'
- Karen Joyner, Metro (Critics' Choice)

Yukio Mishima's "Sotoba Komachi"
A 99 year old bag lady haunting a twilit park full of lovers encounters a young writer who sees her as the beautiful woman she once was.

"The lyricism of the play's language is mirrored in an opulent and highly moving production"
- Jaspre Bark, What's On in London (Critic's Choice)

"'StoneCrabs' commitment to multi-culturalism is impressive"'
- Catherine Shoard, The Sunday Telegraph

"Japanese gem."
- Samantha Payne, Newsshopper

"The Country"
A fresh start at their country home is troubled by a young woman who Richard found by their roadside. The move to the countryside was not the clean break they both had imagined.

"edgy thriller"
- Robert Shore, Time Out

"StoneCrabs' production is every bit of as nerve-wracking as it is thought-provoking."
- Jaspre Bark, What's On